All Giotto 's Paintings

The Painting Names Are Sorted From A to Z
Usually people can find a painting's picture with different colors. We just upload all of them here.
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Choice ID Image  Painting (From A to Z)    Details
62994  
. Wedding Procession Giotto
 
 . Wedding Procession   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua Mary walks in front of her companions and is led to the house other parents, where she is received by musicians. This group alone lends a cheery air to the sombre procession. The bay window of the house, from which a palm leaf juts out as an allusion to the imminent birth of the Lord, appears again in the representation of the Annunciation. In this way Giotto incorporates the Bridal Procession of the Virgin into the sequence of the narrative. The fresco was damaged by the humidity. Artist: GIOTTO di Bondone Painting Title: No. 12 Scenes from the Life of the Virgin: 6. Wedding Procession , 1301-1350 Painting Style: Italian , , religious
52369  
Allegory of Chastity Giotto
 
 Allegory of Chastity   c. 1330 Fresco Lower Church
62982  
Allegory of Chastity Giotto
 
 Allegory of Chastity   1330 Fresco Lower Church, San Francesco, Assisi Extremely vivid and bizarre figures of demons are being cast into the abyss. They are Unchasteness (Immunditia) with the boar's head, Burning Desire (Ardor) with the flaming head, and Love (Amor) with the clawed feet and the hearts tied around him. The round is completed by the spider-legged, devilish Death (Mors). Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: Allegory of Chastity (detail) , 1301-1350 Painting Style: Italian , , religious
44382  
Allegory of Obedience Giotto
 
 Allegory of Obedience   c. 1330
52359  
Allegory of Poverty Giotto
 
 Allegory of Poverty   c. 1330 Fresco Lower Church
33310  
Anna and Joachim Meet at the Golden Gate Giotto
 
 Anna and Joachim Meet at the Golden Gate   mk86 1303-1305 Fresco, c.185x200cm Padua,Arena Chapel
21150  
Anna and Joachim Meet at the Golden Gate (mk08) Giotto
 
 Anna and Joachim Meet at the Golden Gate (mk08)   1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
44364  
Annunciation to St Anne Giotto
 
 Annunciation to St Anne   200 x 185 cm
52385  
Annunciation to Zacharias Giotto
 
 Annunciation to Zacharias   1320 Fresco, 280 x 450 cm
44356  
Apparition at Arles Giotto
 
 Apparition at Arles   1297-1300 270 x 230 cm
52392  
Apparition at Arles Giotto
 
 Apparition at Arles   1325 Fresco, 280 x 450 cm
44358  
Apparition to Fra Agostino and to Bishop Guido of Arezzo Giotto
 
 Apparition to Fra Agostino and to Bishop Guido of Arezzo   1300 270 x 230 cm
52366  
Ascension of Christ Giotto
 
 Ascension of Christ   c. 1300 Fresco Upper Church
52389  
Ascension of the Evangelist Giotto
 
 Ascension of the Evangelist   1320 Fresco, 280 x 450 cm
57224  
Assisi Saint - Francois accept the stigma Giotto
 
 Assisi Saint - Francois accept the stigma   mk255 about for years in 1295-1300 plastic painting dyes, gold background, Yang wooden 3.13 meters high 1.63 meters wide Louvre
62987  
Baptism of Christ Giotto
 
 Baptism of Christ   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In spite of the high quality details of this scene, the irrational representation of the water in which Christ stands indicates that Giotto was still influenced by medieval iconographic conventions. Artist: GIOTTO di Bondone Painting Title: No. 23 Scenes from the Life of Christ: 7. Baptism of Christ , 1301-1350 Painting Style: Italian , , religious
44308  
Baroncelli Polyptych Giotto
 
 Baroncelli Polyptych   c. 1334 Tempera on wood, 185 x 323 cm
62956  
Baroncelli Polyptych Giotto
 
 Baroncelli Polyptych   1334 Tempera on wood Baroncelli Chapel, Santa Croce, Florence Mary bows her head reverently in order to receive the celestial crown from the hands of her Son. Mother and Son form a whole through their gestures, but mainly through their garments: both are clothed in radiant bright white and pink worked through with gold. The elegance of their clothing, in particular the trumpet-shaped sleeves on Christ's robe, indicates a great affinity with the style of courtly Gothic. Artist: GIOTTO di Bondone Painting Title: Baroncelli Polyptych (detail) , 1301-1350 Painting Style: Italian , , religious
42609  
Bewening of Christ Giotto
 
 Bewening of Christ   MK169 detail of 9.80 Fresco 231x202cm
44329  
Birth and Naming of the Baptist Giotto
 
 Birth and Naming of the Baptist   280 x 450 cm
48620  
Birth of Christ Giotto
 
 Birth of Christ   mk191 1302-1305 Oil on canvas
62983  
Birth of Jesus Giotto
 
 Birth of Jesus   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The simple shelter under which the Virgin and her Child seek refuge is situated in the middle of a bleak rocky landscape. Mary turns on her side on the bed in order to receive the new-born baby from the arms of a midwife ?a natural and spontaneous gesture, which is captured by the way mother and child look at one another. Although on the periphery, this exchange of glances seems to be the actual centre of the portrayal, which is expanded to include the scene of the Annunciation to the shepherds. Artist: GIOTTO di Bondone Painting Title: No. 17 Scenes from the Life of Christ: 1. Nativity: Birth of Jesus , 1301-1350 Painting Style: Italian , , religious
19244  
Boy with Flute Giotto
 
 Boy with Flute   1740-50 Oil on canvas. Ca' Rezzonico, Venice.
44361  
Canonization of St Francis Giotto
 
 Canonization of St Francis   270 x 230 cm
44342  
Christ among the Doctors Giotto
 
 Christ among the Doctors   200 x 185 cm
44374  
Christ Among the Doctors Giotto
 
 Christ Among the Doctors   1310
62986  
Christ among the Doctors Giotto
 
 Christ among the Doctors   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In a rich red robe, the little twelve-year-old Jesus sits in the temple and holds a discussion - as his gesture quite clearly indicates. The arches of the architecture seem to echo the young boy's speech and at the same time to concentrate events on him. The scribes listen closely and in doing so show quite different reactions. Only one of them is completely distracted by the appearance of the worried parents. Artist: GIOTTO di Bondone Painting Title: No. 22 Scenes from the Life of Christ: 6. Christ among the Doctors , 1301-1350 Painting Style: Italian , , religious
52387  
Christ before Caiaphas Giotto
 
 Christ before Caiaphas   1304-06 Fresco, 200 x 185 cm
52396  
Christ Enthroned Giotto
 
 Christ Enthroned   c. 1330 Tempera on panel
44348  
Confirmation of the Rule Giotto
 
 Confirmation of the Rule   270 x 230 cm
21955  
Coretto (mk14) Giotto
 
 Coretto (mk14)   1305 Fresco Cappella degli Scrovegni,Padua
62963  
Creation of Adam Giotto
 
 Creation of Adam   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing the Creation of Adam is at the left side of the Raising of Lazarus. Artist: GIOTTO di Bondone Painting Title: Creation of Adam (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
19969  
Crucifix with the Virgin (mk05) Giotto
 
 Crucifix with the Virgin (mk05)   Wood 89 1/4 x 88 1/2''(227 x 225 cm)Campana Collection,Rome entered the Louvre in 1863 M I
33298  
Crucifixion Giotto
 
 Crucifixion   mk86 1303-1305 Fresco Padua Arena Chapel
21138  
Crucifixion (mk08) Giotto
 
 Crucifixion (mk08)   1303-1305 Fresco.Padua, Arena Chapel
62955  
Daedalus after Giotto
 
 Daedalus after   1334 Marble Museo dell'Opera del Duomo, Florence In Greek mythology Daedalus stands as a creative worker at the beginning of all art: Daedalus, the inventor of the labyrinth and of flying, is supposed to have been the first successfully to create a sculpture with arms akimbo and parted legs. Since he is thus supposed to have given life to figures for the first time, he is considered as the very first artist. The design of this relief, though not its execution, derives from Giotto. It shows Daedalus in a striding posture on top of a cupola that acts as a launching pad. All of his energy seems directed towards lifting his heavy, feather-covered body into the air. This concentration of energy corresponds to the energy of Giotto's painted figures. With one exception, this is the only portrayal of Daedalus to exist between the era of ancient Rome and the age of the Renaissance. Artist: GIOTTO di Bondone Painting Title: Daedalus , 1301-1350 Painting Style: Italian , , religious
44357  
Death and Ascension of St Francis Giotto
 
 Death and Ascension of St Francis   270 x 230 cm
52393  
Death and Ascension of St Francis Giotto
 
 Death and Ascension of St Francis   c. 1325 Fresco, 280 x 450 cm
52383  
Decorative band with figure Giotto
 
 Decorative band with figure   1304-06 Fresco Cappella Scrovegni
62969  
Decorative band with figure Giotto
 
 Decorative band with figure   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The band is at the left side of Joachim among the Shepherds. Artist: GIOTTO di Bondone Painting Title: Decorative band with figure , 1301-1350 School
62971  
Decorative band with figure Giotto
 
 Decorative band with figure   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The band is at the left side of the Marriage of the Virgin. Artist: GIOTTO di Bondone Painting Title: Decorative band with figure , 1301-1350
52381  
Decorative band with figures Giotto
 
 Decorative band with figures   1304-06 Fresco Cappella Scrovegni
52382  
Decorative band with figures Giotto
 
 Decorative band with figures   1304-06 Fresco Cappella Scrovegni
62976  
Decorative bands Giotto
 
 Decorative bands   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The decorative bands on the walls above contain several scenes from the Old Testament and busts of saints and prophets. The Old Testament scenes are of a very modest standard, and owe their presence in the chapel to the Gothic tradition of representing parallels between the Old and New Testament. Some of the figures of saints and prophets are of very high workmanship, and among the most impressive of Giotto's repertoire. The two scenes on this wall detail are from the life of Christ: 11. Expulsion of the Money-changers from the Temple and 20. Mourning of Christ. Artist: GIOTTO di Bondone Painting Title: Decorative bands , 1301-1350 Painting Style: Italian , , religious
62977  
Decorative bands Giotto
 
 Decorative bands   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The decorative bands on the walls above contain several scenes from the Old Testament and busts of saints and prophets. The Old Testament scenes are of a very modest standard, and owe their presence in the chapel to the Gothic tradition of representing parallels between the Old and New Testament. Some of the figures of saints and prophets are of very high workmanship, and among the most impressive of Giotto's repertoire. The two scenes on this wall detail are from the life of Christ: 8. Marriage at Cana and 23. Pentecost. *** Keywords: ************* Artist: GIOTTO di Bondone Painting Title: Decorative bands , 1301-1350 Painting Style: Italian , , religious
44315  
Descent into Limbo Giotto
 
 Descent into Limbo   1320-25 Tempera on wood, 45 x 44 cm
62953  
Design sketch for the Campanile Giotto
 
 Design sketch for the Campanile   1334 Parchment Museo dell'Opera del Duomo, Florence This plan shows the design for the bell tower of the Florentine cathedral. It most probably stems from Giotto, who was made "capomaestro" in the year the foundation stone was laid. Only the lowest storey was built according to this plan. Artist: GIOTTO di Bondone Painting Title: Design sketch for the Campanile , 1301-1350 Painting Style: Italian , , religious
1783  
Detail of an Angel Giotto
 
 Detail of an Angel   1305-13 Arena Chapel, Padua
48622  
Detail of Birth of Christ Giotto
 
 Detail of Birth of Christ   mk191 Oil on canvas Sheep on the ground
48623  
Detail of Birth of Christ Giotto
 
 Detail of Birth of Christ   mk191 Oil on canvas
48624  
Detail of Birth of Christ Giotto
 
 Detail of Birth of Christ   mk191 the face of the Virgin Mary
51729  
Detail of Joachim-s Dream Giotto
 
 Detail of Joachim-s Dream   nn09 c.1305-13
51727  
Detail of the Flight into Egypt Giotto
 
 Detail of the Flight into Egypt   mk009 c.1305-13
51730  
Detail of The Lamentation Giotto
 
 Detail of The Lamentation   nn09 c.1305-13
51757  
Detail of the Last Judgment Giotto
 
 Detail of the Last Judgment   NN09 c.1305-13
51728  
Detail of the Presentation at the Temple Giotto
 
 Detail of the Presentation at the Temple   nn09 c.1305-13 Fresco
52371  
Dream of Innocent III Giotto
 
 Dream of Innocent III   1297-99 Fresco, 270 x 230 cm
44362  
Dream of St Gregory Giotto
 
 Dream of St Gregory   270 x 230 cm
44345  
Dream of the Palace Giotto
 
 Dream of the Palace   270 x 230 cm
44351  
Ecstasy of St Francis Giotto
 
 Ecstasy of St Francis   270 x 230 cm
62989  
Ecstasy of St Francis Giotto
 
 Ecstasy of St Francis   1297-1300 Fresco, 270 x 230 cm Upper Church, San Francesco, Assisi This is the twelfth of the twenty-eight scenes (twenty-five of which were painted by Giotto) of Legend of Saint Francis. The five scenes from The Vision of the Flaming Chariot to St Francis in Ecstasy (No. 8-12) are characterized by inferior workmanship, especially in the figures. This scene was executed partly by assistants. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: 12. Ecstasy of St Francis , 1301-1350 Painting Style: Italian , , religious
62967  
Elijah on the Fire-cart Giotto
 
 Elijah on the Fire-cart   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing Elijah on the fire-cart is at the left side of the Ascension. Artist: GIOTTO di Bondone Painting Title: Elijah on the Fire-cart (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
33308  
Enthroned Madonna with Saints Giotto
 
 Enthroned Madonna with Saints   mk86 c.1305-1310 Tempera on wood 325x204cm Florence,Galleria degli Uffizi
21148  
Enthroned Madonna with Saints (mk08) Giotto
 
 Enthroned Madonna with Saints (mk08)   c.1305-1310 Tempera on wood, 325x204cm Florence Galleria degli Uffizi
52386  
Entry into Jerusalem Giotto
 
 Entry into Jerusalem   1304-06 Fresco, 200 x 185 cm
44350  
Exorcism of the Demons at Arezzo Giotto
 
 Exorcism of the Demons at Arezzo   270 x 230 cm
44331  
Expulsion of the Money-changers from the Temple Giotto
 
 Expulsion of the Money-changers from the Temple   1304-06
44330  
Feast of Herod Giotto
 
 Feast of Herod   280 x 450 cm
40128  
Flight into Egypt Giotto
 
 Flight into Egypt   mk156 200x185cm 1303-05
62984  
Flight into Egypt Giotto
 
 Flight into Egypt   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua On a narrow rocky path, the procession seems to move past the viewer. Equipped with everyday objects, everyone is in motion, looking at one another and talking to one another - only the Virgin Mary sits still and unmoving. The statuesque nature other upright position is further reinforced by the rock behind. Although the child is as natural as can be, the central figures in the picture thus stand out from their surroundings and have a sublime effect. Artist: GIOTTO di Bondone Painting Title: No. 20 Scenes from the Life of Christ: 4. Flight into Egypt , 1301-1350 Painting Style: Italian , , religious
19968  
Francis Receiving the Stigmata (mk05) Giotto
 
 Francis Receiving the Stigmata (mk05)   Wood 123 1/4 x 64 1/4''(313 x 163 cm).From the Church of San Francesco in Pisa entered the Louvre in 1814 INV
62981  
Franciscan Giotto
 
 Franciscan   1330 Fresco Lower Church, San Francesco, Assisi In a well-fortified castle, Chastity rules: only angels can enter here. In order to reach her, a long path must be followed. The representatives of the three divisions of the Franciscan order (a lay brother, a Franciscan and aClare) have climbed the hill. They too, as the middle scene shows, will be washed and dressed by angels. On the other side the extremely vivid and bizarre figures of demons are being cast into the abyss. They are Unchasteness (Immunditia) with the boar's head, Burning Desire (Ardor) with the flaming head, and Love (Amor) with the clawed feet and the hearts tied around him. The round is completed by the spider-legged, devilish Death (Mors). Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: Allegory of Chastity , 1301-1350 Painting Style: Italian , , religious
52367  
Frescoes in the fourth bay of the nave Giotto
 
 Frescoes in the fourth bay of the nave   1290s Fresco Upper Church
44339  
Frescoes in the second bay of the nave Giotto
 
 Frescoes in the second bay of the nave   Oil on canvas
44310  
GIOTTO Giotto
 
 GIOTTO   1320-25 Tempera on wood, 81 x 55 cm
44370  
God Sends Gabriel to the Virgin Giotto
 
 God Sends Gabriel to the Virgin   1306 230 x 690 cm
44343  
Homage of a Simple Man Giotto
 
 Homage of a Simple Man   270 x 230 cm
44352  
Institution of the Crib at Greccio Giotto
 
 Institution of the Crib at Greccio   270 x 230 cm
56590  
jesus infor oversteprasten kajafas Giotto
 
 jesus infor oversteprasten kajafas   mk248 sodra vaggen, arenakapellet, padua giotto foruandlar taket med bjalkarna i kajafas sal till ett kistlock, det finns ingen mojligbet att fly. det finns sa mycket rorelse i bilden att det tar ett tag innan man ser fesus sorgsna blick mot den balvt dolde petrus, som just fornekat att ban var en av bans larjungar.
44363  
Joachim among the Shepherds Giotto
 
 Joachim among the Shepherds   1304-06 200 x 185 cm
62991  
Joachim among the Shepherds Giotto
 
 Joachim among the Shepherds   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua Sad and introverted, Joachim arrives among the shepherds. Using the contrast between the lively sheep, the dog that greets him, and the knowing glances of the shepherds, Giotto elucidates his state of mind in the voluminous, closed form of the saint. Artist: GIOTTO di Bondone Painting Title: No. 2 Scenes from the Life of Joachim: 2. Joachim among the Shepherds , 1301-1350 Painting Style: Italian , , religious
33309  
Joachim Takes Refuge in the Wilderness Giotto
 
 Joachim Takes Refuge in the Wilderness   mk86 c.1303-1305 Fresco. c.185x200cm Padua,Arena Chapel
21149  
Joachim Takes Refuge in the Wilderness (mk08) Giotto
 
 Joachim Takes Refuge in the Wilderness (mk08)   C.1303-1305 Fresco.c.185x200cm Padua, Arena Chapel
62992  
Joachim's Sacrificial Offering Giotto
 
 Joachim's Sacrificial Offering   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In the open countryside, Joachim has sunk to the ground and catches sight of an angel, who indicates to him that his sacrifice has been accepted. Colour is used to establish a connection between these two figures, illustrating the miraculous nature of events. As so often, Giotto also employs a figure here who comments on the action ?the praying shepherd. In his colorings, he is closer to the rocks and the animals. He too recognizes the hand of benediction in the sky. Artist: GIOTTO di Bondone Painting Title: No. 4 Scenes from the Life of Joachim: 4. Joachim's Sacrificial Offering , 1301-1350 Painting Style: Italian , , religious
44365  
Joachim-s Dream Giotto
 
 Joachim-s Dream   200 x 185 cm
52375  
Joachim-s Sacrificial Offering Giotto
 
 Joachim-s Sacrificial Offering   1304-06 Fresco, 200 x 185 cm
34384  
Joachims Traum Giotto
 
 Joachims Traum   mk92 1304-1306 Padua,Arenakapelle
62961  
Jonah Swallowed up by the Whale Giotto
 
 Jonah Swallowed up by the Whale   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing Jonah swallowed up by the whale is at the left side of the Lamentation. Artist: GIOTTO di Bondone Painting Title: Jonah Swallowed up by the Whale (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
44332  
Judas-Betrayal Giotto
 
 Judas-Betrayal   150 x 140 cm
30389  
Lamentation over the Dead Christ Giotto
 
 Lamentation over the Dead Christ   mk68 Fresco Padua Arena Chapel c.1306 Italy
30947  
Lamentation over the Dead CHrist Giotto
 
 Lamentation over the Dead CHrist   mk68 c.1306
56591  
lasarus ateruppstar fran de doda Giotto
 
 lasarus ateruppstar fran de doda   mk248 norra vaggen, arenakapellet, padua lasarus,bror till marta ocb maria, bar varit dod i fyra dagar. hans systrar bar blokt nog tackt over ocb munnar nar graven oppnas ocb fesus mirakulost nog ateruppva cker bonom till livet. giotto bar placerat fesus ocb lasarus sa att de aterspeglar varandra ocb budskapet ar att fesus inom kort ocksa ska do ocb ateruppsta fran de doda.
30388  
Last Judgement Giotto
 
 Last Judgement   mk68 Fresco Padua Arena Chapel c.1306 Italy
62962  
Last Judgement Giotto
 
 Last Judgement   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The detail shows Christ the judge is enclosed within a mandorla, surrounded by angels. *** Keywords: ************* Artist: GIOTTO di Bondone Painting Title: Last Judgement (detail) , 1301-1350 Painting Style: Italian , , religious
44327  
Last Judgment Giotto
 
 Last Judgment   1000 x 840 cm
52380  
Last Judgment Giotto
 
 Last Judgment   1306 Fresco, 1000 x 840 cm
62959  
Last Judgment Giotto
 
 Last Judgment   1306 Fresco, 1000 x 840 cm Cappella Scrovegni (Arena Chapel), Padua This extensive depiction of the Last Judgment in the west of the church is dominated by the large Christ in Majesty at its centre. The twelve apostles sit to His left and to His right. Here the two levels divide: the heavenly host appears above, people plunge into the maw of hell below, or are led by angels towards heaven. The way this large fresco is divided into registers is traditional. But if we look at Giotto's invention in detail, then his novel attempts at visualizing different spheres, as well as abstract beliefs, become particularly apparent. In the center of the representation, Christ is enthroned as supreme Judge in a rainbow-colored mandorla. The deep, radiant gold background, the style of painting, and the delicate substance give the impression that the heavens have opened in order to reveal the powerful, extremely solidly modelled figure of Christ. Different levels are likewise alluded to when the choirs of angels disappear behind the real window, or when the celestial watch in the upper area of the picture rolls back the firmament, behind which the golden-red doors of the heavenly Jerusalem shine forth. The black and red maw of hell, which seems to anticipate Dante's "Inferno", is different again in its impact. The way in which Giotto establishes a connection between the present-day world of the faithful and the world beyond all time, the world of the Last Judgment, contains another interesting detail. The donor Scrovegni, still alive at the time, kneels next to those being resurrected and offers "his" church to the three Marys, assisted by a priest. The latter is portrayed in a most lively manner: his robes hang - painted quite illusionistically - over the arch of the portal. Artist: GIOTTO di Bondone Painting Title: Last Judgment , 1301-1350 Painting Style: Italian , , religious
62964  
Last Judgment Giotto
 
 Last Judgment   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua This detail represents angels located below the Apostles on the left side of the fresco. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , painting
62965  
Last Judgment Giotto
 
 Last Judgment   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The Blessed, men and women, representatives of the secular and the sacred, are accompanied on their ascent by angels. The differently formed, thoroughly individual heads seen in profile, the gazes, the posture of the hands and the whole bodies are focused as if spellbound on the higher goal. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious
62966  
Last Judgment Giotto
 
 Last Judgment   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The ground has opened up and the naked people clamber out of their coffins. Some are still completely occupied with themselves or are helping one another; others have already raised their hands in prayer. They appear as full of hope as the ranks of the Blessed above them. There, men and women, representatives of the secular and the sacred, are accompanied on their ascent by angels. The differently formed, thoroughly individual heads seen in profile, the gazes, the posture of the hands and the whole bodies are focused as if spellbound on the higher goal. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious

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